Bollywood Nightingale, Lata Mangeshkar, has been one of the most inspiring artists in history. The late artist has made an unprecedented contribution to the Indian music industry, spanning an amazing seven decades. Her heavenly voice was heard throughout Bollywood and earned her labels such as ‘Voice of the Millennium’ and ‘Queen of Music’.However, these venerable articles do not do justice to Lata Mangeshkar. His voice was more than that. His words were a symbol of progress, faith, history, and technology. Lata Ji broke the barriers for women to thrive within Bollywood music while redefining the popular actress.
”Aayega Aanewala” – Mahal (1949)
Taken from the movie Mahal, ‘Aayega Aanewala’ is one of Lata Mangeshkar’s hottest songs. The song enhanced Lata’s work and made her voice a resounding success. Featuring a horror film setting, melancholic production but cool sound, the nightingale stunned viewers with its captivating voice. ‘Aayega Aanewala’ was filmed by Indian cinema legends, Ashok Kumar and Madhubala. Both combine Lata’s words and reveal the meaning of her words. The song grows slowly towards the end by introducing the hottest tabla songs, which compliment the film’s darkness. Lata’s magnetic singing echoes throughout the ‘Aayega Aanewala’. The piano orchestration, bass guitar, and violin are closed but well sewn. With his voice and Madhubala’s ghost speech, the image is a terrifying yet unforgettable audio clip. The surrealness that holds Lata’s whole note is amazing, making it one of the most featured songs in her catalog.
”Pyar Hua Iqrar Hua” – Shree 420 (1955)
20 Lata Mangeshkar’s Best Songs of All Time
The comedy, Shree 420, is directed by Raj Kapoor who also starred in it alongside Nargis and Nadira. At the time of its release, it was the most lucrative Indian film ever. Many fans were amazed by Lata’s words on the song ‘Pyar Hua Iqrar Hua’. Manna Dey also puts the song in a fun duet.
Congratulations on their verses but then meet the deteriorating harmony that creates an endless stream of riches. They both have bandits, revealing their vocabulary as they jump on their own, with delightful long notes. Captured for Kapoor and Nargis on a rainy night, the heavy musical instrument is powerful but the flute cycles add some pleasure. Adan Mirza, a Bollywood fan from India highlighted how Lata’s voice for generations has remained: “This thing never wears out. My favorite of all time. Remember to listen to these songs on my dad’s old tapes. “Although the movie was shot in black and white, Lata Ji’s voice added a powerful glow to the production.
”Aaja Re Pardesi” – Madhumati (1958)
Starring Bollywood actors Vyjayanthimala and Dilip Kumar, Madhumati focuses on the forbidden love between the leading couple. The best pictures open when Dilip hears a different voice coming out of the air. A common feeling for all who hear Lata for the first time. As Dilip runs towards the voice, Lata continues to pierce the opening lines as Vyjayanthimala embodies the artist’s voice. Lata’s amazing voice control attracts the listener. He does not allow his notes to be too noticeable, as he mocks the audience with a blunt quality beat. The break in the middle of the song is the scene of a theater, with the sound of a drum against the sound of a violin. It offers a refreshing western soundtrack that was a novelty at the time. Lata Ji was only 28 when he recorded the song but it showed how outstanding his talent was. This was celebrated at the 6th Filmfare Awards in 1959 when Lata Mangeshkar won the ‘Best Performing Artist of the song. Musically, ‘Aaja Re Pardesi’ is packed with vocals, beats, and ringtones, making it an attractive work of art.
”Jo Wada Kiya Woh Nibhana Padega” – Taj Mahal (1963)
In the Taj Mahal, Lata Mangeshkar joins star singer Mohammed Rafi both of whom stand out from the rest of the film. Historical production focuses on the Mughal emperor, Shah Jahan, and his involvement in the construction of the Taj Mahal. Playing with people like Pradeep Kumar, Bina Rai, and Veena, the movie was a favorite. However, he is best remembered for his beautiful music. Jo Wada Kiya Woh Nibhana Padega’ saw both Rafi and Lata compiling a duet of poetry and splendor.
Lata’s loud and evocative songs blend well with the light drums of the song, the high strings, and the weakness of Rafi. Additionally, the proximity of the track is clearly shown in its photos. Pradeep Kumar and Bin Rai made a man out of Lata and Rafi’s voice by doing amazing things. Lata Mangeshkar was nominated for ‘Best Female Playback Singer’ at the 1964 Filmfare Awards for the song, emphasizing how fun it is.
‘Lag Jaa Gale’ – Woh Kaun Thi? (1964)
Plays like Sadhana, Manoj Kumar, and Helen, Woh Kaun Thi? it is a mysterious play directed by Raj Khosla. Lata Mangeshkar is included in four of the six songs from the classic songbook. However, ‘Lag Jaa Gale’ was an episode that affected fans. The song uses the composition of the music raga Pahari, which is the framework of the Indian melodic. This interesting feature means that the piece cannot be re-created using traditional European concepts. Lata engages in this diversity and adds her deepest flavor to the song. Expressing great sadness, the song includes the split of two lovers in Woh Kaun Thi? which is Lata’s voice that strikes wonderfully. As Sadhana takes the lead in visuals, his thought-provoking speeches highlight the pain felt by Lata’s songs. Funnily enough, the playing artist uses a cool tone and holds a noisy note when completing certain words. This adds such an atmosphere to Lata Ji’s performance, making his performances unique as a playwright.
‘Aaj Phir Jeene Ki Tamanna Hai’ – Guide (1965)
A romantic drama guide produced by Dev Anand who also appeared in the film with co-star Waheeda Rehman. Both actors were filmed in a beautiful song, ‘Aaj Phir Jeene Ki Tamanna Hai’.The track focuses on Waheeda and Dev’s journey throughout India, as Waheeda performs daredevil tricks and intricate choreography. The familiar, unorthodox hats of the ancient tabla are attractive and Lata’s voice does wonders in providing a chorus that shakes his head. As the drums beat, the combination of guitar strings provides an electric twist to the song.
However, this does not stop Lata Ji from making the ambiance attractive and exciting. It is also worth mentioning that Waheeda magically captures Lata’s words as he makes each detail of the music a success. The song was so powerful that Lata Mangeshkar was nominated for ‘Best Playback Singer’ at the 1967 Filmfare Awards.
‘Hothon Mein Aisi Baat’ – Jewel Thief (1967)
Bollywood filmmaker Vijay Anand has created a hitbox office song, Jewel Thief. The thrilling spy has starred famous actors in Dev Anand, Vyjayantimala, and Ashok Kumar among many others. Although ‘Hothon Mein Aisi Baat’ is called Lata and Bhupinder Singh, the following has a limited contribution. Lata Ji is the leading voice in the song, reflecting the diversity of his loud and varied voice. The dance sequence featuring the song was very focused and fun, with Vyjayantimala leading the way.
All of his movements symbolized the words of Lata’s angel and the tracks playing deep instruments gave Bollywood vibrations. The whole song is a mix of the strong spine, Indian music, amazing bass, and fun composition. Lata’s thrilling voice is a star-studded feature that enhances the cinematic qualities of ‘Hothon Mein Aisi Baat’.
‘Chalte Chalte’ – Pakeezah (1972)
A romantic music drama, Pakeezah, starred infamous Indian cinema. Starring Ashok Kumar, Meena Kumari, and Raaj Kumar, the film is among the most popular productions in Bollywood. However, Lata’s translation of ‘Chalte Chalte’ stole the show. The love of the artist’s voice is instrumental in itself and attracts the attention of each viewer. The combination of Lata’s short and long tones is very good, clearing the Bollywood theater without losing something very attractive. Meena Kumari played the song at Pakeezah in an amazing way. Her active facial expressions, hearing, and her body of flesh symbolizes Lata’s voice. Athar Siddiqui, Birmingham Business Builder, stated: “This song is timeless.
The song contributed to the success of Lata Mangeshkar’s’ Best Performing Artist’ at the 36th Annual BFJA Awards in 1973.
“Bahon Mein Chale Aao” – Anamika (1973)
Taken from Sanjeev Kumar and Jaya Bachchan, the ‘Bahon Mein Chale Aao’ song showcases the playful qualities of Lata Mangeshkar. His long notes, vocal power, and unique tone go hand in hand with rhythm formation. Incredibly personalized Jaya, Lata’s voice is heard throughout the song and redefined how Bollywood music should appear.
As Jaya runs with Sanjeev, the strong tummy tuck is green but can add some cinematic flavor. Pure, heavenly, and cool, ‘Bahon Mein Chale Aao’ is a great illustration of how Lata’s voice was drunk.
‘Kabhi Kabhie Mere Dil Mein’ – Kabhi Kabhie (1976)
Yash Chopra’s memorable Kabhi Kabhie is widely regarded as one of the best Bollywood love movies ever created. Especially for Yash’s directing talents, film music has a huge impact on its success. The duet is sung by both Lata Mangeshkar and Mukesh, who put their music stamp on the track. Although the original song was in written Urdu, this poem is illustrated by Lata Ji. Accompanied by royal characters Amitabh Bachchan, Raakhee, and Shashi Kapoor, the song is portrayed on the night of the imaginary wedding. A song that revolves around love and a broken heart, Lata’s voice is a symphony of emotions. The way the nightingale progresses with clear melodies and allows the instruments to shine separately is amazing.’Kabhi Kabhie Mere Dil Mein’ is the perfect blend of what made Lata Ji so addictive. The cool notes, the powerful vocal cords, and the rich cultural familiarity make every listener love Lata Ji.
‘Salaam-E-Ishq’ – Muqaddar Ka Sikandar (1978)
This classic Diwali blockbuster was India’s third highest-grossing film in a decade, after Sholay (1975) and Bobby (1973). The star-studded cast includes older actors such as Amitabh Bachchan, Vinod Khanna, Raakhee, and Rekha. But it was Lata Ji who helped the success of the movie with ‘Salam-E-Ishq’.The duet called another famous artist from Kishore Kumar, who was the voice of Amitabh. While Rekha performed a stunning Lata singing drama. Both actors did well in their plays. However, that would not have been possible without famous musicians. Lata’s enthusiastic flow, her moving octave, and rhythmic songs balance Kishore Da’s working styles.
“Aye Dil E Nadan” – Razia Sultan (1983)
Razia Sultan is an Indian live-action film starring the likes of Hema Malini, Dharmendra, and Parveen Babi.’Aye Dil E Nadan’ is one of the most striking songs in the film and no wonder, Lata Mangeshkar has done an exciting job. Although the maturity of his voice was always evident from childhood, the song reinforced this. Similar to ‘Aayega Aanewala’, this song has some clarity about it when Lata notes flow to the listener. Lata Ji had this binding ability to unite the audience of her sound, feeling the way she felt while singing. Hema blends well with the loss and theme of the song, harmonizing with Lata’s voice very well. Wandering to different locations alone, a fun setting plays the heart of the audience. Lata’s captivating voice impresses the audience while enjoying the thrilling scenes on the screen.